﻿{"id":5360,"date":"2023-09-17T23:35:12","date_gmt":"2023-09-17T21:35:12","guid":{"rendered":"https:\/\/italyun.esteri.it\/?p=5360"},"modified":"2023-09-18T17:22:52","modified_gmt":"2023-09-18T15:22:52","slug":"la-grande-visione-italiana-la-collezione-farnesina","status":"publish","type":"post","link":"https:\/\/italyun.esteri.it\/it\/news\/dalla_rappresentanza\/2023\/09\/la-grande-visione-italiana-la-collezione-farnesina\/","title":{"rendered":"\u201cLa Grande Visione Italiana. La Collezione Farnesina\u201d"},"content":{"rendered":"<p>\u201cThe Grand Italian Vision. The Farnesina Collection\u201d is an enthralling journey through the history of Italian art from the 1900s to the present day, by means of 71 works selected from the extraordinary art collection at the Ministry of Foreign Affairs and International Cooperation of the Italian Republic.\u00a0 The only public institution in the world to have its own art collection, built up with passion and steadfastness since the end of the Nineties, it has created today\u2019s dynamic collection that bears witness to the wealth of a cultural heritage, dwelling within the spaces of the Palazzo della Farnesina in Rome, a setting for exhibition activity worthy of any museum.<\/p>\n<p>Painting, sculpture,\u00a0 photography and videos testify to the continuity and thematic variety of the various disciplines and tendencies which, in their formal arrangement, enable\u00a0 us to speak of a \u201cGrand Italian Vision\u201d,\u00a0 a grand tour through the creativity of our Country, which has always lauded an ongoing quest for new forms, in an iconographic fecundity that flourishes to this day.<\/p>\n<p>An inexorable vitality, documented in this exhibition by artists who have been outstanding protagonists of the principal artistic movements in Italy, together with research initiated by the more recent generations, thus confirming the anthropology of an art that belongs to a culture, the Mediterranean culture, which has always grappled with history and nature.<\/p>\n<p>The exhibition develops along a fluid yet not chronological path, in which linguistic affinities and differences between the various artists condense. Visions that range from a twentieth-century awareness to the drive towards modernity. From looking inwards to looking out, from environmental emergencies to migrations and new forms of poverty, right up to dialogue and encounter. The public is invited to experience these works directly, without any academic rigidity, letting itself flow along with the \u201cgrand Italian vision\u201d through an exhibition project spread in different institutional places in New York.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>\u00a0NEW YORK VENUES<\/strong><\/p>\n<ol start=\"9\">\n<li>18. 2023<\/li>\n<li>27. 2023<\/li>\n<\/ol>\n<p>Permanent Mission of Italy to the United Nations<\/p>\n<p>Consulate General of Italy<\/p>\n<p>Italian Cultural Institute<\/p>\n<p>Residence of the Permanent Representative of Italy to the United Nations<\/p>\n<p>&nbsp;<\/p>\n<p><strong>United Nations Building<\/strong><\/p>\n<p>10.12. 2023 &#8211; 10.27. 2023<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Ministry of Foreign Affairs and International Cooperation<\/strong><\/p>\n<p>Antonio Tajani<\/p>\n<p>Deputy Prime Minister and Minister of Foreign Affairs and International Cooperation<\/p>\n<p>&nbsp;<\/p>\n<p>Riccardo Guariglia<\/p>\n<p>Secretary General<\/p>\n<p>&nbsp;<\/p>\n<p>Alessandro De Pedys<\/p>\n<p>Director General for public and cultural diplomacy<\/p>\n<p>&nbsp;<\/p>\n<p>Filippo La Rosa<\/p>\n<p>Deputy Director General for public and cultural diplomacy<\/p>\n<p>&nbsp;<\/p>\n<p>Tommaso Giordano<\/p>\n<p>Deputy Head of Unit<\/p>\n<p>Unit III &#8211; Cultural Promotion, Italian Cultural Institutes and the Farnesina Collection<\/p>\n<p>&nbsp;<\/p>\n<p>Stefano Moser<\/p>\n<p>Unit III &#8211; Cultural Promotion, Italian Cultural Institutes and the Farnesina Collection<\/p>\n<p>&nbsp;<\/p>\n<p>Michela De Riso, Redenta Maffettone, Lucrezia Naglieri, Viola Novarini, Paolo Vanino<\/p>\n<p>Cultural promotion officers<\/p>\n<p>Unit III &#8211; Cultural Promotion, Italian Cultural Institutes and the Farnesina Collection<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Permanent Mission of Italy to the United Nations<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>Maurizio Massari<\/p>\n<p>Ambassador, Permanent Representative of Italy to the United Nations<\/p>\n<p>&nbsp;<\/p>\n<p>Ludovica Murazzani<\/p>\n<p>Spokesperson, Head of Press, Communication and Public Diplomacy<\/p>\n<p>&nbsp;<\/p>\n<p>Eugenio Boldrini<\/p>\n<p>Head of Administrative Office<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Italian Cultural Institute<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>Fabio Finotti<\/p>\n<p>Director<\/p>\n<p>&nbsp;<\/p>\n<p>Massimo Sarti<\/p>\n<p>Attach\u00e9<\/p>\n<p>&nbsp;<\/p>\n<p>Malina Mannarino<\/p>\n<p>Director\u2019s Assistant<\/p>\n<p>&nbsp;<\/p>\n<p>Gianni Lopez<\/p>\n<p>Building Managment and Security<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Consulate General of Italy<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>Fabrizio Di Michele<\/p>\n<p>Consul General<\/p>\n<p>&nbsp;<\/p>\n<p>Riccardo Cursi<\/p>\n<p>Deputy Consul<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>The Grand Italian Vision. The Farnesina Collection<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>Achille Bonito Oliva<\/p>\n<p>General Curator<\/p>\n<p>&nbsp;<\/p>\n<p>Paola Marino<\/p>\n<p>Chief Curator<\/p>\n<p>&nbsp;<\/p>\n<p>Anna Fresa<\/p>\n<p>Set-up Project<\/p>\n<p>&nbsp;<\/p>\n<p>Simona Rossi<\/p>\n<p>Project Coordinator<\/p>\n<p>&nbsp;<\/p>\n<p>Giulia Bellipario Marino<\/p>\n<p>Graphic Design and Catalogue<\/p>\n<p>&nbsp;<\/p>\n<p>Dafna ets<\/p>\n<p>Organization, Logistics and Production<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"\u201cThe Grand Italian Vision. The Farnesina Collection\u201d is an enthralling journey through the history of Italian art from the 1900s to the present day, by means of 71 works selected from the extraordinary art collection at the Ministry of Foreign Affairs and International Cooperation of the Italian Republic.\u00a0 The only public institution in the world [&hellip;]","protected":false},"author":7,"featured_media":5376,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"tags":[20],"class_list":["post-5360","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","tag-diplomazia-culturale"],"_links":{"self":[{"href":"https:\/\/italyun.esteri.it\/it\/wp-json\/wp\/v2\/posts\/5360","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/italyun.esteri.it\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/italyun.esteri.it\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/italyun.esteri.it\/it\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/italyun.esteri.it\/it\/wp-json\/wp\/v2\/comments?post=5360"}],"version-history":[{"count":1,"href":"https:\/\/italyun.esteri.it\/it\/wp-json\/wp\/v2\/posts\/5360\/revisions"}],"predecessor-version":[{"id":5361,"href":"https:\/\/italyun.esteri.it\/it\/wp-json\/wp\/v2\/posts\/5360\/revisions\/5361"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/italyun.esteri.it\/it\/wp-json\/wp\/v2\/media\/5376"}],"wp:attachment":[{"href":"https:\/\/italyun.esteri.it\/it\/wp-json\/wp\/v2\/media?parent=5360"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/italyun.esteri.it\/it\/wp-json\/wp\/v2\/tags?post=5360"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}